Apple went out of its way to show artists in its WWDC presentation on Apple Music, though. So, where does this fit into Connect? Well, it at least shows where Apple’s priorities lie. While Emagic, and by extension Apple, once reportedly boasted the largest stable of music developers anywhere, my guess is it was easier with Apple’s cash supplies to simply buy the talent and product they needed wholesale, augmenting the team already working on the apps. And an iOS app could be possible, too, especially as Camel had one under development. If this instrument is in GarageBand, it’s a safe bet it’ll show up in Logic, too, presumably with more controls. will be the next big thing – did you catch that Aphex Twin? Or Richard Devine’s Instagram following? But I digress. and The Hip Hops, so here you go! Do you want a nice cold lemonade?”) It’s yet another tragic example of Cupertino failing to heed CDM’s long-standing advice that I.D.M. Apple Insider breaks that news (oddly beating us in the music tech realm).Īpple isn’t shy about the markets they’re going after, with several mentions of “EDM? and Hip Hop?inspired synth sounds.” Yep, that’ll be the two fast-growing (especially American) markets. Updates there are minor, but there’s a clear view of the UI from Alchemy, reimagined as Apple’s Smart Controls layout. Apple themselves have revealed that on the refreshed GarageBand page. As expected, it’s resurfacing as an Apple instrument. Accordingly, GarageBand will get an update on June 30, the same day Apple Music (and Apple Music Connect) are scheduled for launch.Īnd for anyone who says the company is “abandoning” pros, here’s the less evidence that – at least from Apple’s perspective – the company sees the production and Mac markets as integral to their global consumer domination.įirst, we now have a pretty clear image of where Camel Audio and its Alchemy synth have wound up. Not surprisingly, Apple’s own GarageBand/Logic family appear to figure into the company’s plans. It seems Apple Music isn’t just about consumption. Sound Designers: Paul Nauert, Lotuzia, Chris Sciurba, Martin Walker, Luftrum, Shaun Wallace, Tim Conrardy, Ole Jeppesen, biomechanoid, bManic, M.GarageBand, Logic Could Be the Production Side of Apple Music Genres: Electronica, Ambient, Film Music, IDM, Dance/Trance, Techno/Electro, Pop Sound Categories: 37 Soundscapes, 34 Pads, 20 Arpeggiated, 20 Basses, 15 Loops, 15 Synths, 11 Leads, 9 Sound Effects, 8 Mallets, 7 Keys, 6 Guitars, 6 Vocals, 6 Strings, 3 Organs, 3 Woodwinds All presets are arranged by product and category for rapid access to the sound you require, to keep your inspiration flowing. The remix pad also makes it possible to quickly try different variations - simply click and drag to morph between the eight variations. This provides sixteen performance controls for real-time tweaking and automation, which have unique functions for each preset carefully chosen by the sound designer so each preset is like a small synth in its own right. With your first soundbank from Camel Audio you get a whopping 300 flexible presets for a very modest price.Īlchemy Player features the same advanced sample manipulation engine as its big brother, with additive, spectral, granular, sampling and VA synthesis for totally unique sounds, and is easily controlled via a simple and compact interface. Alchemy Player includes 150 presets and 360 MB of samples taken from the full factory library, including evolving soundscapes, lush pads, and pulsing arpeggios. The ever-expanding Alchemy soundbank line features world-class sound designers such as Biolabs, BigTone and Junkie XL covering everything from Cinematic to Dance sounds. The Player is included free when you purchase any Alchemy soundbank, turning each of these banks into a standalone instrument in its own right! Alchemy Player is the perfect solution if you lust after the sounds of Alchemy but don't want to create your own presets.
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